Well, my story on Best and Worst Sci-Fi TV Openings got FARKed, and my blog got slammed with hits, which is a very good thing. I originally wrote it for GGL – but our new editorial direction is to get away from “Gamer/Geek Lifestyle” stories, and stick to “professional gaming” stories. Which is fine – I’ll just write for my blog.
Lots of people had suggestions for the best and worst list. Some of them were even polite. After reading them all, my only regret is that I did not consider the original opening sequence for Red Dwarf for the best list.
I was surprised to learn that some Firefly flans don’t like the Firefly theme song. That’s crazy. I hate Country music as much as the next intelligent person of taste; but that theme is great. (Please note: Firefly fans are referred to as “Browncoats” or “flans.” If you don’t understand why we say “flans” or “flanvention,” please read the following two words aloud: “Firefly fan.”)
Of course, I got slammed for hating on Babylon 5. That was my point about why B5 fans are so annoying. It’s not that people enjoy B5 – knock yourself out. It’s that they get so incredibly upset when you point out the fact that their show is mediocre.
I watched the first episode of B5 when it first aired. Wanna know why I stopped watching? An alien is murdered when a poisonous skin patch is applied – to his environmental suit. Not to his skin, but to his spacesuit. That’s when I stopped watching.
But some of my friends went on about how great the writing was, how the overarching storyline was so cool (although they admitted that often, the individual episode stories were quite lame). But I couldn’t get over the disconnect between the expensive CGI exteriors (which were often so busy, you couldn’t tell what was going on – see BSG, or even late-season DS9, to learn how to do space battles properly) and the CHEAP CHEAP CHEAP “sets.” I mean, we’re talking Buck Rogers-level sets.
Now Doctor Who has always gotten by on great writing with cheap production values. But Doctor Who’s production values were consistently cheap, and the writing was consistently great. So was the acting, as the show had the entire stable of classically-trained British actors to choose from. Even die-hard B5 fanatics will admit that the acting was a mixed bag.
B5 was not a bad show. But it was not a great show. It was not the fantastic touchstone of modern sci-fi its fans want you to think it was. Again, if you’re a fan, good for you. But stop trying to convince me that B5 is worth my time. It’s not.